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Non-Rationalised History NCERT Notes, Solutions and Extra Q & A (Class 6th to 12th)
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Class 12th Chapters
1. Bricks, Beads And Bones - The Harappan Civilisation 2. Kings, Farmers And Towns - Early States And Economies (c.600 BCE-600 CE) 3. Kinship, Caste And Class - Early Societies (c. 600 BCE-600 CE)
4. Thinkers, Beliefs And Buildings - Cultural Developments (c. 600 BCE-600 CE) 5. Through The Eyes Of Travellers: - Perceptions Of Society (c. Tenth To Seventeenth Centuries) 6. Bhakti –Sufi Traditions: - Changes In Religious Beliefs And Devotional Texts (c. Eighth To Eighteenth Centuries)
7. An Imperial Capital: Vijayanagara - (c. Fourteenth To Sixteenth Centuries) 8. Peasants, Zamindars And The State: - Agrarian Society And The Mughal Empire (c. Sixteenth-Seventeenth Centuries) 9. Kings And Chronicles: - The Mughal Courts (c. Sixteenth-Seventeenth Centuries)
10. Colonialism And The Countryside: - Exploring Official Archives 11. Rebels And The Raj: - 1857 Revolt And Its Representations 12. Colonial Cities: - Urbanisation, Planning And Architecture
13. Mahatma Gandhi And The - Nationalist Movement: - Civil Disobedience And Beyond 14. Understanding Partition: - Politics, Memories, Experiences 15. Framing The Constitution: - The Beginning Of A New Era



Chapter 7. An Imperial Capital Vijayanagara (C. Fourteenth To Sixteenth Century)



Vijayanagara, meaning "city of victory," was the name of both a prominent city and the empire it ruled. Founded in the 14th century, the Vijayanagara Empire was a major power in South India until its decline in the 16th century. In 1565, the capital city was attacked and subsequently deserted, falling into ruin over the next centuries.

Despite its physical ruin, the city lived on in the collective memory of people in the Krishna-Tungabhadra doab region, who referred to it as Hampi, a name derived from the local mother goddess, Pampadevi. The combination of these oral traditions with archaeological findings, surviving monuments, inscriptions, and other historical records eventually allowed scholars to "rediscover" and reconstruct the history of the Vijayanagara Empire.

The Discovery Of Hampi

The ruined city of Hampi was brought to scholarly attention in 1800 by Colonel Colin Mackenzie, an engineer and antiquarian working for the English East India Company. Mackenzie is credited with preparing the first survey map of the site.

Painting depicting Colin Mackenzie and his assistants, including indigenous informants

His initial information about the site and its history was significantly based on the oral traditions and memories of priests from the Virupaksha temple and the shrine of Pampadevi, indicating the importance of local knowledge in the discovery process.

Source 1: Description of Colin Mackenzie and portrayal of him and his assistants in a painting.

Colin Mackenzie (1754-1821), famous engineer, surveyor, cartographer. First Surveyor General of India (1815-21). Collected local histories, surveyed historic sites to understand India's past, ease colonial governance. Believed studying Vijayanagara would give East India Company "much useful information" on Indian institutions, laws, customs still prevailing. Painting (c. 1825) shows Mackenzie with peon Kistnaji (holding telescope) and Brahmana assistants (Jaina pandit, Telugu Brahmana). Text says he struggled under "bad management" before "benign influence of the British government".

Answer:

The painting portrays Mackenzie as a central figure, actively engaged in intellectual work (surrounded by maps, papers), seemingly guiding the process. His indigenous assistants (peon and Brahmana scholars) are depicted in supporting roles, holding instruments (telescope) or positioned respectfully beside/behind him. The artist portrays Mackenzie with symbols of European science/technology (telescope, surveying tools implicitly) and scholarship, suggesting his expertise and authority. The indigenous informants are shown in traditional attire, representing their local knowledge, which is being accessed and documented by Mackenzie. Ideas sought to be impressed upon viewers include: Mackenzie's intellect and leadership in the endeavor; the importance of indigenous knowledge (represented by the pandits and peon) as sources of information, but framed within the context of European scholarly initiative and control; and possibly, the idea that British governance brings order and utilizes local resources (including knowledge) for its own benefit, as suggested by the accompanying text's perspective on British rule as a "benign influence" after "bad management."

Further efforts to document and reconstruct the history of Vijayanagara included:

Historians collated information from these diverse sources (archaeological finds, oral traditions, inscriptions, accounts of foreign travelers, literature in Telugu, Kannada, Tamil, and Sanskrit) to reconstruct the history of the city and the empire.

Rayas, Nayakas And Sultans

According to tradition and epigraphic evidence, the Vijayanagara Empire was founded in 1336 by two brothers, Harihara and Bukka. The empire's territory expanded and contracted over time, encompassing people who spoke different languages and followed various religious traditions.

The rulers of Vijayanagara were known as rayas. They faced competition from contemporary regional powers, including the Sultans of the Deccan (to the north) and the Gajapati rulers of Orissa (to the northeast). This competition was primarily for control over fertile river valleys and the wealth generated from lucrative overseas trade.

Despite rivalries, interaction between these states led to a sharing of ideas, particularly influencing architectural styles and building techniques in Vijayanagara, which the rayas adopted and further developed.

Some areas incorporated into the empire already had histories of powerful states like the Cholas (Tamil Nadu) and Hoysalas (Karnataka), known for constructing elaborate temples (e.g., Brihadishvara temple at Thanjavur, Chennakeshava temple at Belur). The rayas built upon these existing traditions, enhancing them to "new heights."


Karnataka samrajyamu: While historians use the term Vijayanagara Empire, contemporary sources in the region referred to it as the karnataka samrajyamu.

Gajapati, ashvapati, narapati: Gajapati ("lord of elephants") was the title of rulers in Orissa. In Vijayanagara's popular tradition, Deccan Sultans were called ashvapati ("lord of horses") and the rayas themselves were called narapati ("lord of men"). These titles reflect the perceived strengths or resources associated with these different powers.

Kings And Traders

Effective cavalry (soldiers on horseback) was crucial for warfare during this period. This made the import of horses, primarily from Arabia and Central Asia, very important for rival kingdoms like Vijayanagara and the Deccan Sultanates. This trade was initially dominated by Arab merchants.

Local merchant communities, known as kudirai chettis ("horse merchants"), also participated in these exchanges.

From 1498, the Portuguese arrived on the west coast and became significant players in the trade and military affairs of the region. Their superior military technology, especially the use of muskets, allowed them to establish trading and military outposts and influence local politics.

Vijayanagara was also a notable center for markets trading in spices, textiles, and precious stones. Such markets were considered symbols of status for the city, reflecting a wealthy population that demanded high-value exotic goods.

Revenue generated from trade significantly contributed to the state's prosperity.

Source 2: Excerpt from Krishnadeva Raya's Amuktamalyada on kings and traders.

Krishnadeva Raya advises king to improve harbours to encourage commerce, ensuring free import of goods like horses, elephants, gems, sandalwood, pearls. Arrange suitable care for foreign sailors landing due to storms/illness. Attach foreign merchants importing elephants/good horses by daily audience, presents, decent profits. Prevent these articles going to enemies.

Answer:

The king was interested in encouraging trade for several reasons. Firstly, to ensure the availability of crucial resources like horses (essential for cavalry) and elephants (important for the army), which were imported. Secondly, to acquire valuable goods like precious gems, sandalwood, and pearls, which contributed to the wealth and prestige of the kingdom. Thirdly, the revenue derived from trade (customs duties, taxes) significantly boosted the state's treasury, contributing to its prosperity. Providing care for foreign sailors and establishing good relations with foreign merchants (daily audience, presents, profits) was a strategy to ensure continued and reliable supply of these important goods, preventing them from going to rival kingdoms ("Then those articles will never go to your enemies"). These transactions would have benefited various groups: the king (through revenue and essential resources), foreign merchants (through profits and good relations), local merchants (acting as intermediaries), artisans (using imported materials), and the wealthy urban population (access to exotic goods). However, the primary beneficiary highlighted is the state and the king, in terms of military strength and economic prosperity.

The Apogee And Decline Of The Empire

Power struggles within the Vijayanagara polity involved members of the ruling lineage and military commanders. The empire was ruled by successive dynasties:

Krishnadeva Raya, the most famous ruler of Vijayanagara, belonged to the Tuluva dynasty. His reign (1509-1529) was a period of significant expansion and consolidation. Key achievements included acquiring the fertile Raichur doab (land between Tungabhadra and Krishna rivers), subduing the rulers of Orissa, and inflicting defeats on the Sultan of Bijapur. His rule saw the empire flourish in conditions of relative peace and prosperity, although maintaining military preparedness was constant.

Krishnadeva Raya is credited with building impressive temples and adding grand gopurams (gateways) to existing temples in South India. He also founded a suburban township called Nagalapuram, named after his mother.

Strain on the imperial structure increased after Krishnadeva Raya's death in 1529, with rebellious nayakas (military chiefs) challenging central authority. By 1542, control shifted to the Aravidu Dynasty, who ruled until the late 17th century. Military ambitions of both Vijayanagara and the Deccan Sultanates led to shifting alliances and conflicts.

The major turning point was the Battle of Rakshasi-Tangadi (Talikota) in 1565. Rama Raya, Vijayanagara's chief minister, led the army but was routed by the combined forces of the Deccan Sultanates (Bijapur, Ahmadnagar, Golconda). The victorious armies subsequently sacked and plundered the city of Vijayanagara, leading to its total abandonment within a few years. The empire's focus shifted eastward, with the Aravidu dynasty ruling from Penukonda and later Chandragiri.

Despite the final devastating conflict, relations between the Vijayanagara rulers and the Deccan Sultans were not consistently hostile, even with religious differences. Krishnadeva Raya supported some claimants in the Sultanates and used the title "establisher of the Yavana kingdom" (Yavana referring to Turks/Muslims). Similarly, the Sultan of Bijapur intervened in Vijayanagara succession disputes. Both sides were sometimes keen on each other's stability. The disastrous defeat in 1565 was attributed to Rama Raya's policy of trying to manipulate and play off the Sultans against each other, prompting them to unite against him.

Yavana: A Sanskrit word historically used for Greeks and other groups entering the subcontinent from the northwest, including sometimes applied to Turks/Muslims.

The Rayas And The Nayakas

Military chiefs, known as nayakas, held considerable power within the Vijayanagara Empire. They controlled forts and maintained armed supporters. Nayakas often moved to new areas, sometimes accompanied by peasants seeking fertile land. They typically spoke Telugu or Kannada.

While most nayakas were subordinate to the kings (rayas) of Vijayanagara, they occasionally rebelled and had to be militarily subdued.

A significant political innovation of the Vijayanagara Empire was the amara-nayaka system. This system is believed to have borrowed features from the iqta system of the Delhi Sultanate.

Amara-nayakas were military commanders granted territories to govern by the raya. They were responsible for collecting taxes and other dues from the local population (peasants, craftspersons, traders) within their territory. They kept a portion of the revenue for their personal use and for maintaining a specified contingent of horses and elephants. These military contingents provided the Vijayanagara kings with a strong fighting force that helped them control the southern peninsula.

Part of the collected revenue was also allocated for maintaining temples and irrigation works within their territories.

Amara-nayakas were required to send annual tribute to the king and appear personally at the royal court with gifts to demonstrate loyalty. Kings asserted control by occasionally transferring nayakas to different territories. However, by the 17th century, many nayakas became powerful enough to establish independent kingdoms, contributing to the collapse of the central imperial authority of Vijayanagara.

Amara: Believed to derive from Sanskrit 'samara' (battle/war) or resemble Persian 'amir' (high noble).

Vijayanagara The Capital And Its Environs

As an imperial capital, Vijayanagara was characterized by a distinctive physical layout and architectural style, reflecting its significance as a center of power and culture.

Plan diagram of the city of Vijayanagara

Water Resources

The location of Vijayanagara is notably defined by the natural basin formed by the Tungabhadra river flowing northeastward. The city is surrounded by striking granite hills.

Numerous streams flow from these rocky hills towards the river. Embankments were built along these streams to create reservoirs of various sizes to store rainwater, as the region is one of the most arid parts of the peninsula.

Elaborate irrigation arrangements were made to channel water to the city. The Kamalapuram tank, built in the early 15th century, was crucial, irrigating nearby fields and supplying water to the "royal centre" via a channel.

The Hiriya canal is a prominent waterwork among the ruins, drawing water from a dam on the Tungabhadra to irrigate the cultivated valley between the "sacred centre" and "urban core." It was likely built by the Sangama dynasty kings.

An aqueduct structure leading water channels into the royal centre area

Source 4: Paes's description of a tank constructed by Krishnadeva Raya.

King built tank at mouth of two hills collecting water from both sides. Water also comes from >3 leagues (15km) by pipes along range outside, from lake overflowing into river. Tank has 3 large carved pillars connecting to pipes for irrigating gardens/rice-fields. King broke down hill to make tank. 15-20,000 men worked on tank, looked like ants.

Answer:

Paes's description provides valuable insights into the scale, methods, and organization involved in constructing irrigation works during Krishnadeva Raya's reign. It describes a complex system collecting water from multiple sources (hills, lake via pipes), utilizing existing topography (mouth of hills) and engineered solutions (pipes, breaking down a hill). The tank's size and the detailed description of its features (pillars, pipes for irrigation) highlight the level of planning and engineering involved. The mention of 15-20,000 men working on the tank ("looking like ants") underscores the immense mobilization of labor possible under the ruler's command. This suggests a highly organized state capable of undertaking large-scale public works projects. The emphasis on irrigating "gardens and rice-fields" directly connects these waterworks to agricultural needs and urban amenities, confirming the importance of irrigation for the city's sustenance and prosperity.

Fortifications And Roads

Vijayanagara was enclosed by massive fortress walls, impressively described by Abdur Razzaq as having seven lines of forts. These fortifications were unique in that they encircled not just the urban area but also the agricultural hinterland and surrounding forests.

Part of the massive stone fortification wall around Vijayanagara

The outermost wall connected surrounding hills. The masonry construction was slightly tapered, using wedge-shaped stone blocks held in place without mortar. The inner part was packed earth and rubble, with projecting bastions.

The enclosure of agricultural tracts within fortifications was significant. Foreign travelers observed cultivated fields, gardens, and houses between the walls. This strategy protected the food supply during sieges, which could last for months or years, contrasting with the common medieval practice of building granaries within forts to withstand starvation.

A second line of fortification enclosed the urban core, and a third line surrounded the royal centre, with major buildings inside also having their own high walls.

Entry into the fort was through well-guarded gates. Gateways were architecturally significant features. Arches and domes over gateways (Fig 7.6) are seen as typical of the Indo-Islamic style, influenced by architecture from Turkish Sultanates through ongoing interaction with local building practices.

Gateway in the Vijayanagara fortification wall with an arch and dome
A gopuram, the towering gateway of a temple

Archaeologists have traced roads within and leading out of the city, following paths through gateways and identifying pavements. Roads generally followed valleys, avoiding rocky terrain. Important roads connected to temple gateways and were lined with bazaars.

The Urban Core

Within the urban core, archaeological evidence of ordinary houses is limited (likely made of perishable materials). However, finds of fine Chinese porcelain suggest some areas were inhabited by rich traders. This area also included the Muslim residential quarter, where tombs and mosques (Fig 7.10) have been found, their architecture sometimes resembling the mandapas found in Hampi temples.

Part of an excavated pavement or road surface
Shards of Chinese porcelain excavated from a site
A mosque structure in Vijayanagara

Historical descriptions by travelers like Barbosa mention ordinary houses were thatched but well-built and organized by occupation in long streets with open spaces. Field surveys show the area was dotted with numerous shrines and small temples, indicating diverse cults. Wells, rainwater tanks, and temple tanks likely served as water sources for ordinary residents.

The Royal Centre

The royal centre, located in the southwestern part of the settlement, was the area associated with the king and his court. Despite its name, it contained over 60 temples, highlighting the importance of the rulers' patronage of temples and cults for establishing and legitimizing their authority by associating with divinities.

About thirty building complexes are identified as palaces. These were large structures, primarily built of masonry with superstructures of perishable materials (wood), unlike temples which were entirely masonry.

The Mahanavami Dibba

Some distinctive structures in the royal centre are named based on form and function. The "king's palace" enclosure is the largest but lacks definitive evidence of being a royal residence. It features two impressive platforms: the "audience hall" and the "mahanavami dibba".

The audience hall is a high platform with closely spaced slots for wooden pillars, suggesting a dense structure whose exact use is unclear.

The mahanavami dibba (Fig 7.11) is a massive platform on a high point in the city, believed to have supported a wooden structure. Its base is covered with intricate relief carvings (Fig 7.12).

The massive Mahanavami Dibba platform
Close-up of relief carvings on the base of the Mahanavami Dibba

Rituals here likely coincided with the Mahanavami festival (part of the ten-day autumn Hindu festival). Vijayanagara kings used this occasion to display their prestige, power, and authority through elaborate ceremonies: worship of images and the state horse, sacrifice of animals (buffaloes), dances, wrestling matches, processions of caparisoned animals, chariots, and soldiers, and ritual presentations by nayakas and subordinate kings who also brought gifts and tribute.

Source 3: Paes's description of the size and features of Vijayanagara, including groves, water conduits, lakes, palm-grove, and fruit trees near king's palace.

Paes describes Vijayanagara size as unable to see all from one spot; from hill saw large part, seemed as large as Rome, very beautiful. Many groves/trees in house gardens, many water conduits into city, lakes in places. King has palm-grove, rich fruit trees near palace.

Answer:

Today, while features like gardens, parks, and perhaps public water bodies might be found in parts of a city, the specific combination of "many groves of trees within it, in the gardens of the houses, and many conduits of water... lakes; and the king has close to his palace a palm-grove and other rich fruit-bearing trees" within the urban fabric, especially on the scale suggested, might not be common, particularly the integration of extensive gardens and multiple water bodies directly within residential areas and adjacent to the ruler's residence. Paes likely selected gardens and water bodies for special mention because they were striking features in the context of a large urban center, especially one located in a relatively arid zone. Their presence signified the availability of water and deliberate landscaping, contributing to the city's beauty and livability, which would be remarkable for a city of that scale in that environment.

A House of Victory?: Paes's account of the audience hall and Mahanavami Dibba, together called "House of Victory".

Describes two platforms, one above other, beautifully sculpted. Upper platform in House of Victory: king has cloth room with idol shrine. In other (middle): dais with throne, crown, royal anklet.

Answer:

Paes's description supports the idea that the Mahanavami Dibba complex was associated with royal ceremonies and display of authority. The mention of a "House of Victory" with platforms, a "room made of cloth" for an idol shrine on the upper platform, and a dais with a throne, crown, and royal anklet on the middle platform strongly suggests it was a site for important state rituals and where the king symbolically displayed his power and received tribute or homage. The religious element (idol shrine) combined with symbols of kingship (throne, crown, anklet) links royal authority with divine favor and victory, aligning with the rituals described as associated with Mahanavami.

Historians debate if the Mahanavami Dibba platform was the actual center for all these rituals, as the surrounding space seems limited for large processions. Its exact function remains somewhat enigmatic.

Other Buildings In The Royal Centre

The Lotus Mahal (Fig 7.15), named by British travelers, is a beautiful building in the royal centre. While its name is romantic, its original purpose is uncertain. One suggestion is that it was a council chamber where the king met advisers. It features arches possibly inspired by Indo-Islamic techniques.

Elevation drawing of the Lotus Mahal
Detail of an arch of the Lotus Mahal
Photograph of the Lotus Mahal

While most temples were in the sacred centre, several were in the royal centre, signifying the rulers' connection with divinity. The Hazara Rama temple was likely for the exclusive use of the king and his family. Though images in the central shrine are missing, sculpted panels on walls depict scenes from the Ramayana (Fig 7.18).

Sculpture panel from the Hazara Rama temple wall

Other structures include the "elephant stables" (Fig 7.17), located near the Lotus Mahal, noted for their arches and domes.

Elevation drawing of the elephant stables
Plan diagram of the elephant stables
Photograph of the elephant stables

Although many Vijayanagara structures were destroyed, the building traditions for palatial structures were continued by the nayakas, and some of these later buildings survive (e.g., interior of audience hall at Madurai).

Interior view of the audience hall at Madurai, showing arches

The Sacred Centre

The sacred centre of Vijayanagara was located at the rocky northern end of the city, on the banks of the Tungabhadra river. This area held deep religious significance.

Choosing A Capital

Local traditions associate the hills in this area with the monkey kingdom from the Ramayana. Other traditions center on Pampadevi, the local mother goddess, who performed penance in these hills to marry Virupaksha, the guardian deity of the kingdom (recognized as a form of Shiva). The marriage is still celebrated annually at the Virupaksha temple.

Presence of Jaina temples from the pre-Vijayanagara period also indicates the area's long history of sacred associations. The very choice of the site for Vijayanagara was likely influenced by the existence of the shrines of Virupaksha and Pampadevi.

The Vijayanagara kings claimed to rule on behalf of the god Virupaksha. Royal orders were signed "Shri Virupaksha" in the Kannada script. Kings also used the title "Hindu Suratrana" (Hindu Sultan), blending Hindu and Islamic political titles to indicate their connection to the divine and their status as powerful rulers.

Temple building traditions were long-standing in the region (Pallavas, Chalukyas, Hoysalas, Cholas). Rulers encouraged temple building to associate themselves with divinity (often identifying the deity with the king) and garner support. Temples were centers of learning, receiving land and resources for maintenance, and growing into significant religious, social, cultural, and economic hubs. For rulers, temple construction was a key means of projecting power, wealth, and piety.

Vijayanagara rulers built on these earlier traditions, incorporating royal portrait sculpture in temples and treating visits to temples as major state occasions with nayakas accompanying the king.

Gopurams And Mandapas

Temple architecture in this period developed new features, notably structures of immense scale reflecting imperial authority. The raya gopurams (royal gateways) were towering structures that often dwarfed the central shrine towers (Fig 7.7). They served as distant markers of the temple and symbolized the king's power to command resources and skills for their construction.

Other distinctive features included mandapas (pavilions) and long, pillared corridors surrounding shrines.

Two important temples are the Virupaksha temple and the Vitthala temple.

Temple complexes had chariot streets extending straight from gopurams, paved with stone slabs and lined with pillared pavilions housing merchant shops. Nayakas continued temple building traditions, constructing spectacular gopurams (Fig 7.26).

A towering gopuram built by the nayakas of Madurai
A swing pavilion from Gingee, part of a temple complex

Plotting Palaces, Temples And Bazaars

Understanding Vijayanagara relies on detailed documentation from various sources. After Mackenzie's initial surveys, information was compiled from travelers' accounts and inscriptions. The site was preserved by archaeological departments.

From the 1980s, an extensive project documented material remains using intensive surveys and recording techniques over two decades, involving scholars globally.

Mapping was a significant part of this project, dividing the site into progressively smaller squares (e.g., 25 large squares, each subdivided), revealing traces of thousands of structures from small shrines to elaborate temples, roads, paths, and bazaars (identified by pillar bases, platforms).

Detailed map of the Vijayanagara site divided into squares (top right)
Detailed map of square N from the overall site map
Detailed map of square NM from the square N map

Researchers emphasize imagining vanished wooden elements (columns, roofs, towers), which were plastered and painted, to reconstruct the vibrant appearance of structures, using traveler descriptions (Fig 7.30 shows a plan of a temple excavated and mapped).

Plan diagram of an excavated temple within the mapped squares

Source 5: Paes’s vivid description of a bazaar in Vijayanagara.

Describes broad, beautiful street with many merchants selling rubies, diamonds, emeralds, pearls, cloth, other goods. Every evening fair selling common horses/nags, garden stuff (citrons, limes, oranges, grapes), wood. City "best-provided city in the world," markets "stocked with provisions" (rice, wheat, grains, etc.), cheaply/abundantly available. Nuniz describes markets "overflowing with abundance of fruits" and various meats (mutton, pork, venison, birds, even rats, cats, lizards) sold.

Answer:

Paes provides a detailed and lively account of a major street functioning as a bustling market. It sold both luxury goods (gems, precious stones, fine cloths) and everyday necessities (garden produce, wood, common horses) and even had an evening fair. This suggests the street served a diverse clientele, from wealthy elites to ordinary residents. The variety and abundance of provisions and goods, described as "overflowing" and "very cheap," painted a picture of prosperity and easy access to necessities for the city's population. The mention of different kinds of meats, including animals not commonly consumed today (rats, cats, lizards), provides a glimpse into the dietary practices of some segments of the population at the time.

Questions In Search Of Answers

Buildings provide information on spatial organization, construction, materials, techniques, cultural influences, defense, and intended messages. However, they don't reveal everything.

Buildings alone don't tell us what ordinary people thought of them, if they could access royal/sacred areas, how they interacted with sculptures, or what the workers on these projects felt.

Statue of Krishnadeva Raya on the gopuram of the Chidambaram temple

Key unanswered questions regarding construction:

Continuing research using sources beyond architecture may provide clues to these questions.

Part of the Queen's Bath structure in Vijayanagara